1. Enter Lumberville 2. Receive one gov't issue 2"x4" 3. Shake hands with Mayor Hacksaw
location: payphone nearest address: 2803 E Burnside St Portland, OR 97214 nearest major intersection: 28th Ave & E Burnside St specific: 1)Rainy? catch a movie 2)Laurelhurst Theater 3)2x corner phone booth
1. trade your rockz for thumbs ******************* 2. lose everything 3. take a breatherrr rookie
location: payphone nearest address: 2816 SE Stark St Portland, OR 97214 nearest major intersection: 28th Ave & SE Stark St specific: 1)demolition club 2)meeting at midnight 3)radio shout outz
fast eddies fast fast cash tip#337: cash in on sportz cardz from your youth.
location: phone booth nearest address: 539 SE 39th Avenue Portland, OR 97214 nearest major intersection: 39th Ave & SE Stark St specific: CHECKLIST 1)Mike Piazza - topps 2)Barry Sanders - ProSet 3)Steve Kerr - UPPER DECK
1. donn.'t let down 1. never give in 2. hold it 3. squeeze it 4. attempt to stop
location: payphone nearest address: 1801 NE Alberta St Portland, OR 97211 nearest major intersection: 18th Ave & NE Alberta St specific: 1)payphone 2)Last Thursday
ghost hunter:
the residence in which you
dwell is probably inhabited
by a paranormal being.
who are you going
to call?
location: phone booth nearest address: 1714 NE 33rd Ave. Portland, OR 97212 nearest major intersection: 33rd Ave & NE Schuyler St specific: 1)ghost 2)ghostbusters 3)Hamlet 4)pan pan theatre
ROBOT FUNERAL: 1)take out the trash 2)sort the recyclables 3)compost the compost 4)rinse & repeat
location: placed on an a/v cart at flaming lips video shoot for "Watching the Planets" nearest address: Mt. Tabor Park 6000 SE Salmon St Portland, OR 97215 specific: 1)garbage day 2)coffin jet ski 3)the robots 4)flaming lips video shoot
running errands: 1)ride your bike 2)record everything that is in front of you TOTAL TIME:variable
location: payphone nearest address: 5050 SE Stark St Portland, OR 97215 nearest major intersection: 52nd & SE Stark St specific: 1)Movie Madness: policies 2)10.13 minutes 3)handlebar microphone
stay up late past your bedtime consult the national sleep foundation figure out what you have been doing wrong: remedy it.
location: payphone nearest address: 4534 SE Belmont St Portland, OR 97215 nearest major intersection: 45th & SE Belmont St specific: 1)National Sleep Foundation 2)sleep 3)sex
dear viewer, the past is meant to stay how you remember it. that being said, the past is also a good way to remind you how you got to where you are today. do a little digging of your own sometime.
location: payphone nearest address: 4500 NE Glisan St Portland, OR 97213 nearest major intersection: 45th & NE Gilsan St specific: 1)Lithography 2)Vacuforming 3)Beavis Research Lab
compare the film careers
of Mike Patton & Howie
Mandel
voice artists
or mere men?
location: payphone nearest address: 4026 SE Hawthorne Blvd Portland, OR 97214 nearest major intersection: 40th & SE Hawthorne Blvd specific: 1)Daily Grind 2)Bobby's World 3)Bionic Commando
specific:
1)downward projectionz 3x
2)2x rotary phonez: chest harness equalizer & table top distortion
3)blaze orange korg
4)bazz pointed upwards
5)rubberized leg drum stickz
6)Portland Monthly Magazine
You you were to be killed and would you be they’ll do what you see don’t do keep reading
location: NE phone booth nearest addr: 531 SE 14th Ave Portland, OR 97214 nearest major intersection: 14th Ave & SE Stark St specific: 1)Wasington High School 2)PICA 3)TBA:09 4)the WORKS 5)Gang Gang Dance 6)Asss & Chrome Wings
Future Death Toll, Superbass: a Tragedy
location: breezway mailbox @ Horse Brass Pub nearest addr: 4534 se belmont St portland, or 97215-1687 nearest major intersection: 45th & belmont specific: 1)order banger saussage 2)get a hankerin' for some zza 3)not a public restroom 4)look for the cigarette buttz in an open mailbox next to a shabby (3foot high) door
location: N45deg31.583' W122deg37.411' nearest addr: 3892 NE Glisan St portland, or 97232 nearest major intersection: e burnside st & se 39th ave specific: 1)take 19 bus east 2)stop at 39th 3)look for billy grippo bench 4)reach underneath the g
specific: 1)earth 2)the melvins 3)harvey milk 4)sun0))) 5)thrones 6)berbati's pan 7)hand delivered to joe (bassist) with a point and a nod.
location: N45deg31.327' W122deg39.695' nearest addr: 420 se ankeny st portland, or 97214 nearest major intersection: SE mlk jr blvd & SE ankeny st specific: 1)start_audio_recording 2)mic_wentworth_chevyto wn_sign_on_off_on_off 3)8bit_mono_mp3 4)leave_copy_at_locatio n&pin_on_google_map
[vimeo 5861686]
two fdt showz inna day.
noon in san_fran @ godwaffle noise pancakes
night in eureka @ the accident gallery
superbass_a_tragedy in a video cube
***ADVISORY: USE 2-CHANNEL (STEREO) ENABELED EQUIPMENT, PREFERABLY HEADPWNZ.
MUSICAL INSTRUMENTS. . .The need to act directly and profoundly upon the sensibility through the sense organs invites research. . . into qualities and vibrations of sounds to which we are absolutely unaccustomed, qualities which contemporary instruments do not possess and which compel us to revive ancient and forgotten instruments or to create new ones.
LIGHTING. . .In view of the peculiar action of light on the mind, the effects of luminous vibration must be investigated, along with new ways of diffusing light in waves, or sheets, or in fusillades of fiery arrows. . . In order to produce particular tone qualities, one must reintroduce into light an element of thinness, density, opacity, with a view to producing heat, cold, anger, fear, etc.
SPECTACLE. . .There is an idea of total spectacle that must be revived. The problem is to make space speak, to enrich and furnish it; like mines laid in a wall of flat rocks which suddenly give birth to geysers and bouquets.
-Antonin Artaud “The Theater of Cruelty”
All of Artaud’s prescriptions for reifying expression and performance are based in the idea that “In the state. . . in which we live, it is through the skin that metaphysics will be made to reenter our minds”. The Theater of Cruelty requires “expression in space” to reach the spectator’s mind through a ruthless (though not uncalculated or illogical) barrage of the senses. The theater’s purpose is not its ability to entertain or its literary-ish construction of canon. Rather, its “only value lies in its excruciating, magical connection with reality and danger”.
For Artaud, a meaningful performance must result from both regression and research. Performers must make use of all levels of perception, from the most basic sensory reception to the most mysterious intuition to the most complex intellection. With a kind of academic diligence, the actor/artist must explore and develop languages of sound and light. Incorporating fragments of the recognizable world, the actor/artist will “rediscover the notion of a kind of unique language halfway between gesture and thought”.
Welcome to the laboratory.
ACT I
scene 1 “initial alert”
scene 2 “retrieving the injured”
ACT II
scene 1 “diagnosis”
scene 2 “we must rebuild”
ACT III [final act]
scene 1 “say your goodbyes”
scene 2 “possessions for dollarz”
